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Albanese, Natan. "Ultimi fasti d’Ancien Régime a Torino: gli allestimenti effimeri dei grandi balli di corte nel secondo Settecento e le feste nuziali dei Duchi d’Aosta."

Albanese, Natan. "Ultimi fasti d’Ancien Régime a Torino: gli allestimenti effimeri dei grandi balli di corte nel secondo Settecento e le feste nuziali dei Duchi d’Aosta."

Baldwin, Olive, und Thelma Wilson. "Mistresses of Dancing-schools in Edinburgh, 1755 to 1814."

Bennett, Giles. "Ost-westlicher Kulturtransfer im Ballsaal: Das Repertoire eines österreichischen Tanzlehrers in Lemberg in den frühen 1790er-Jahren."

Bier, Silvia. Konzert der Musen: Die Synthese der Künste in der Tragédie en musique Lullys.

Blasdale-Clarke, Heather. "Dance for early Australian convicts: Discovering a lost culture."

Burlock, Hillary. "Party Politics: Dancing in London’s West End, 1780–9."

Buurman, Erica. The Viennese Ballroom in the Age of Beethoven.

Couto, Clara Rodrigues. "Ballet in Writing: Precepts and Rules of Composition for Court Ballets in France under the Ancien Régime (1581-1682)."

Cypess, Rebecca. "Notation, Performance, and the Significance of Print in the Music of Ignatius Sancho (c.1729–1780)."

Daye, Anne. "The Cotillon: its origins, development and demise."

Duffy, Alan. "The Grand March."

Eremina-Solenikova, Eugenia. "Russian Ball Culture in the First Half of the 18th Century."

Ertz, Matilda Ann Butkas. "Nineteenth-Century Italian ballabile and the Ball: Dance and Music as Social and Political Discourse of the Risorgimento."

Feste, Irène. "Variations of the “trait de la contredanse” in the Nineteenth Century."

Filimonov, Dmitry. "Tordiglione: Italian Improvisational Dance from the Late 16th to Early 17th Centuries."

Fink, Monika, und Jadwiga Nowaczek. "Maximilian I. und der Tanz."

Finkel, Carola. ""Les Plaisirs du Bal du [sic] Mannheim". Eine Betrachtung zum Tanzrepertoire in der zweiten Hälfte des 18. Jahrhunderts."

Finkel, Carola. "A recently discovered ballet for the court of Wolfenbüttel."

Giordano, Gloria. "Il repertorio coreutico «all’usanza Spagnola» in territorio italico. Prime indagini nelle rappresentazioni teatrali di collegio tra Sei e Settecento."

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