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Barros, Ricardo. "From the "Terreiro" to the "Paço": The extraordinary journey of the "Lundú" over the centuries, continents and social strata."

Blasdale-Clarke, Heather. "Keller’s Approach: New Perspectives in Dance History."

Broyles, Michael. "Mozart, America’s First Waltz-King."

Burden, Michael, und Jennifer Thorp (Hg.). With a Grace Not to Be Captured: Representing the Georgian Theatrical Dancer, 1760–1830.

Burlock, Hillary. "'Tumbling into the lap of Majesty': Minuets at the Court of George III."

Canova-Green, Marie-Claude. " “Dancing Queen": The Court Ballets of Anne of Austria, Queen of France (1615–1635)."

Canova-Green, Marie-Claude. "À quoi sert un livret de ballet de cour au xviie siècle? (1610-1681)."

Ciambella, Fabio. Dance Lexicon in Shakespeare and His Contemporaries: A Corpus-Based Approach.

Costa e Silva, Catarina. "Corremo, sartamo, bolimo cos pé... dance elements in 17th century polyphonic repertory of Santa Cruz de Coimbra."

Daye, Anne. "Terpsichore and diplomacy in early modern Europe."

De Lucca, Valeria. "«Un nobilissimo e sottilissimo ingegno»: Tracce di balli nelle opere del Teatro Colonna (1683-1688)."

De Lucca, Valeria. "Costumes for balli in late seventeenth-century Roman operas."

Delattre-Destemberg, Emmanuelle. "La fabrique des corps dansants au XIXe siècle: le dispositif académique."

Demeilliez, Marie. "«La lecture n’en était guère moins agréable que le spectacle»: Les livrets-programmes des ballets jésuites aux XVIIe et XVIIIe siècles."

Dickason, Kathryn. Ringleaders of Redemption: How Medieval Dance Became Sacred.

Fader, Don. Music, Dance and Franco-Italian Cultural Exchange, c. 1700: Michel Pignolet de Montéclair and the Prince de Vaudémont.

Finkel, Carola. "Dance in Pasticcios - Pasticcios in Dance."

Fiskvik, Anne Margrete. “Itinerant Female Performers in the Nordic Sphere 1760–1774: Traceability and Visibility.”

Fleming, Simon D.I. “Dances and National Airs in Domestic Music Manuscripts: Two New Sources from the 1820s.”

Franchin, Matthieu, und Hubert Hazebroucq. "Naissance d’une nouvelle forme de divertissement. Le finale à vaudeville à la Comédie-Française (1692-1697)."

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