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Bernardy, Ralph. "Das Menuett als Klangrede. Ein Beitrag zur Didaktik der Improvisation."

Brandenburg, Irene. "«Composé sur des airs d'opéras-comiques représentés à Vienne». Zu Glucks Ballettpasticcio Les aventures champêtres (Wien 1760)."

Cassia, Cristina. "From Pieces for Amateurs to Works of Art. Dance Music for Keyboard in Sixteenth-Century Italy."

Cazaux, Christelle, Martina Papiro und Agnese Pavanello (Hg.). Tanz und Musik. Perspektiven für die Historische Musikpraxis.

Channen Caldwell, Mary. "Revisiting the “Clerical Dance Song” in Medieval Europe."

Daye, Anne. "Measure: Moving In and Out of Time."

Gal, Mojca. "The Performance Practice of Ballet Music in 18th-Century France. Case Study: The Entrée Grave."

Hagedorn, Volker. "Klang und Körper. Vier Schlüsselszenen aus der jahrhundertelangen Beziehung zwischen Musik und Tanz."

Harris-Warrick, Rebecca. "Ending an Opera: What Happens When Dancing Replaces Singing?."

Hoppu, Petri, Egil Bakka, und Anne Margrete Fiskvik (Hg.). The Nordic Minuet: Royal Fashion and Peasant Tradition.

Miracle, Gabriele. "Percussion in Early Dance. Looking for a ‘Historical’ Groove."

Nevile, Jennifer. "Dance as a Physical Expression of Music in the Fifteenth and Early Sixteenth Centuries. Sources, Context, and Performance Practice."

Romain, Baptiste. "Stepping Away from the Notation. Reconstructing Instrumental Practices in 16th-Century Dance Repertory."

Thorp, Jennifer. The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne.

Walsdorf, Hanna. "Tanzlied, Singtanz, «Singballett». Eine repertoire- und forschungsgeschichtliche Erkundung."

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