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Kutlay, Evren, interviewed by Judith I. Haug. "Looking at the Orient Through turquerie: Ottoman Representation in 18th- to Early 19th-Century Ballets."

Marchal-Ninosque, France. "Creating Dance Professionals in the Capital City: The Paris Opera’s School of Dance at the Heart of a Late-Eighteenth-Century Monopoly."

Nestola, Barbara, Benoît Dratwicki, Julien Dubruque, und Thomas Leconte (Hg.). The Fashioning of French Opera (1672-1791): Identity, Production, Networks.

Pruiksma, Rose. "Preparing the nobility for war: The politics of the Ballet des Triomphes (1635)."

Sabee, Olivia. "Noverre’s Letters in Venice 1787-1794."

Sadler, Graham. "Louis Dupré and the Isthmian Games: Reconstructing the sequence of actions during an Olympic-style contest in Rameau’s Naïs (1749)."

Segal, Barbara. "“Country Dance” as Reification of the Pastoral Idyll."

Sparti, Barbara. "Italy and the French noble style: Links, possible influences and precedents."

Spring, Matthew. "Dancing Opportunities on a Family Stay in 18th Century Bath: Anstey's New Bath Guide (1766) as a Window into Bath's Social Dance Scene."

Thorp, Jennifer. "Monsieur L’Abbé in London: The early years, 1698-1715."

Tomko, Linda. "Anthony L’Abbé’s “Türkish Dance” and cultural resonances in early Georgian England."

Tuppen, Sandra. " ‘Triumph, victorious Love’: Le Triomphe de l’Amour (1681) and English dramatic opera."

Walsdorf, Hanna. "Sounding ‘La Turquie’ in France and Prussia: From Lully to Campra to Graun."

Wieczorek, Ryszard J. "‘Besolte Instrumentisten der Königlichen Stadt Breslaw’: The Hess Brothers’ Anthology (1555) and Its European Context."

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