Giordano, Gloria. "Il teatro dell'honore «all'italiana», «alle francese», «alla spagnola». I balli dei convittori del Collegio dei Nobili di Parma."
Giordano, Gloria. "Il teatro dell'honore «all'italiana», «alle francese», «alla spagnola». I balli dei convittori del Collegio dei Nobili di Parma." ActaLauris no. 4 (2018): 9-94.
Gli studi coreologici non sono mai rimasti indifferenti alla questione della presenza del ballo nelle attività didattiche e teatrali dei gesuiti. L'analisi degli opuscoli del Teatro dell'Honore, certami organizzati a conclusione dell'anno scolastico presso il Collegio dei Nobili di Parma, offre molti spunti di riflessione sulla didattica, la metodologia, la tecnica, gli stili, ma anche sulle consuetudini in termini di esecuzione e interpretazione degli stili canonici. Nell'arco cronologico preso in esame (1670-1694), il tema va molto oltre la questione della convivenza, sul territorio italico, degli stili coreografici italiano, francese e spagnolo, o della funzione del ballo nella formazione del nobile per il suo ingresso in società. Il Teatro dell'Honore offre ulteriori apporti alle nostre attuali conoscenze della danza dell'epoca, maturate finora per lo più sui trattati dei maestri di ballo.
Abstract:
Choreological studies have never remained indifferent to the question of the presence of dance in Jesuit educational and theatrical activities. The analysis of the booklets of the Teatro dell'Honore, certami organized at the end of the school year at the College of Nobles in Parma, offers many points for reflection on didactics, methodology, technique, styles, but also on customs in terms of execution and interpretation of canonical styles. In the chronological period examined (1670-1694), the theme goes far beyond the question of the cohabitation, on the Italian territory, of the Italian, French and Spanish choreographic styles, or of the function of the dance in the formation of the noble for his entry into society. Il Teatro dell'Honore offers further contributions to our current knowledge of the dance of the time, matured so far mostly on the treatises of dance masters.
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