• Leucci, Tiziana. ""Le Triomphe de Bacchus dans les Indes" (1666) & "Le Triomphe de l'Amour" (1681): Two French Court Ballets as Examples of King Louis XIV's Politics at Play, in a "Play within a Play"."
• Kenley, McDowell E. "Mad fools and the Praise of Folly: matassins and the ballets of Lully, Destouches and Campra (1660-1718)."
• Walsdorf, Hanna (Hg.). Ritual Design for the Ballet Stage: Revisiting the Turkish Ceremony in Le Bourgeois gentilhomme (1670).
• Franchin, Matthieu. "Les bandes de violons à la Comédie-Française: Réflexions sur l’instrumentation de la musique à danser à l’époque de Lully."
• Haug, Judith I., und Hanna Walsdorf. Music and Mirrored Hybridities: Cultural Communities Converging in French, German, and Turkish Stage Productions (17th–20th Century)
• Walsdorf, Hanna. "Sounding ‘La Turquie’ in France and Prussia: From Lully to Campra to Graun."
• Harris-Warrick, Rebecca. "Ending an Opera: What Happens When Dancing Replaces Singing?."
• Hazebroucq, Hubert. "Les airs d’opéra chorégraphiés: Transferts contextuels et exemplarité."
• Thorp, Jennifer. "A Lullian divertissement for King William III at Kensington in 1698."
• Lee, Michael. "Adapting Lully for the London stage: reading a chaconne of 1698."

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